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In search of personal healing and artistic inspiration, Marina Abramovic travels through Brazil experiencing sacred rituals and exploring limits between art, immateriality, and consciousness. In 2000, she became a certified yoga instructor, and taught classes to put herself through art school. Marina Abramovic in Brazil: The Space In Between. While Ana approaches the subject with humor, her interest in wellness comes from a place of sincerity: She regularly doles out skincare and recipe recommendations, fills her house with “a jungle” of plants, and starts each day with a bounce on her miniature trampoline.
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(In short: Eat out the flesh and shove your face into the husk.)įor the 13th Gwanju Biennial in South Korea, Ana presented a series of three videos marketing imagined solutions for pandemic-related anxiety, including the CGI Multimask that can beautify, protect and cover up a nervous breakdown.
DOWNLOAD FREE MARINA ABRAMOVIC THE SPACE IN BETWEEN HOW TO
This period brought us 2007’s At the Tips of Your Fingertips (Towards a Clean Money Culture), a literal money-laundering service where she hand-washed paper bills with wet wipes the Music Derived Pain Killer, for which her saliva was collected during a flute performance at the 2008 Sydney Biennale to be transmuted into a painkilling salve and Papain Is In, a how-to video demonstrating how to transform an enzyme-rich papaya into a brightening face mask. This was most apparent in 2010’s Wandering Band, which saw musicians wandering museums like the Castello di Rivoli or the Pompidou, or the New York’s High Line, performing scales and other exercises and the erratic, erotic Tent, Quartet, Bows and Elbows, where musicians performed muffled by fabric.įrom 2003 to 2009, Ana created work under the banner Ananatural Productions, a sort of conceptual laboratory for absurd (and occasionally practical) performance-products that appropriated the language and aesthetics of commercialized wellness. But while she no longer performs, music has remained an important part of her practice, employed as a means to spread joy. Unable to find the adequate infrastructure to support her dream of playing professionally, she decided to renounce the flute entirely.
When Ana was 15, her parents – political dissidents who spoke out against then-president Slobodan Milošević – took her and fled Yugoslavia for Singapore. Two years later, after waiting for her facial structure to mature (“You won't be able to make a sound from a flute until your mouth is ready”) Ana began lessons, and quickly found herself ascending to the world of local competition, public performances and conservatory education, with Jovanovic and Swiss flutist Aurèle Nicolet among her world-class private tutors.
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